So, we have a wickedly talented and creative producer and DJ laying down what’s good and what’s, well, not so good. Yes it’s, wait for it, just a little longer, nearly there. Ok, it’s Moby, from some otherworldly universe.
John Lee Hooker / I Hated The Day I Was Born
‘If I could sing, I’d love to sing like John Lee Hooker. Him or David Bowie. I don’t have a beautiful singing voice, so I really appreciate the deep and gravelly voice that Hooker possesses. I really like everything about John Lee Hooker’s music. I’m a big fan of old blues anyway, especially music from the pre-war era. It was so much simpler back in the day. You plugged in and you played. Studios are like instruments now. This song is one of my all-time favorites. “I love depressing music”: that was a quote in my high school yearbook’.
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Titled V, Van She’s recently released full length debut is a confident modern rock album, recorded in London with acclaimed English producer Jim Abbiss, who has worked with Arctic Monkeys and Placebo, among others. In this Playlist, bassist and vocalist Matt Van Schie, trawls his crates to give us a rundown on his current musical obsessions.
Kazino / Binary
One note riff my heart out! The bass, the guitars, and that synth line … oooooh. They’re all doing their jobs so well in this New Wave Italo Disco blast. And what a great start it has. It’s pure underground sex! I feel like I’m hanging out in an early 80s Paris nightclub with my drink resting on the stomach of painted naked lady, doing mesculine with less violent clockwork orangers.
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You know you’ve made it in Australia when you have a song featured in a BMW commercial. Yup, The Presets have done that, and more. In this issue of My Secret Playlist, Julian Hamilton and Kim Moyes each write about four songs (Julian’s four are first) that have helped shape — in some small way — The Presets sound, finessed so superbly on their latest album, Apocalypso.
John Cage / Mysterious Adventure for Prepared Piano
At the beginning of the score, Cage wrote a table of specific ‘preparations’ that had to be employed on the piano before performing the piece. These included jamming nuts and bolts, and pieces of rubber and wood of different sizes, between the strings of the piano. Then, when you play the piece, the piano doesn’t sound like a piano at all, more like an Indonesian Gamelan or metal junk orchestra, or something. It’s really wild. I performed this piece as part of my final recital at university. I really enjoyed studying it, and I still love listening to it.
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